Order [book in series=yearoffirstbook.book# (eg 2014.01), stand-alone or one-author collection=3333.pubyear, multi-author anthology=5555.pubyear, SFM/MM=5000, interview=1111]: 2022

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The Daughter of Doctor Moreau: A lush SF melodrama

The Daughter of Doctor Moreau by Silvia Moreno-Garcia

It’s 1877, and on a decaying rancho deep in the Yucatán peninsula, Carlota Moreau’s sheltered life — and world — is about to change. Carlota’s father, Doctor Moreau, conducts experiments on human-animal hybrids, with a stated goal of improving humanity. When his patrons, the Lizalde family, threaten to withdraw their support, catastrophic events are set in motion with Carlota at their center.

“Melodrama” has a bad reputation, but when it’s done intentionally and well, it is a high-quality entertainment form. In the hands of a prose stylist as good as Moreno-Garcia,


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WWWednesday: November 2, 2022

Single-topic column today.

Amazon has adapted William Gibson’s The Peripheral to a streaming show. To my disappointment, after three episodes, the show is like one of the book’s eponymous creations, an unpiloted peripheral; glossy, elegant, smart even, but lacking any spark of life.

The Peripheral takes place in two different timelines. One is set in 2032 in a world very much like ours, in a small town in the American southeast. The other is set in London in 2100, in a post-Jackpot world (the Jackpot is a convergence of natural and human-caused disasters reaching nearly extinction levels);


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The Nectar of Nightmares: Long may Gidney write!

The Nectar of Nightmares by Craig Laurance Gidney

It’s horror season for me, the time of year where I usually settle in with a cozy haunted house story, but sometimes branch out into the region of the genuinely horrifying or the truly weird. Craig Laurance Gidney’s short story collection The Nectar of Nightmares, published in 2022, fits that bill. As with most collections, I loved several, and a few were misses for me. This is even more likely to happen with a horror collection than,


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Stan Lee: A Life

Stan Lee: A Life (Centennial Edition) by Bob Batchelor

Bob Batchelor’s biography of Stan Lee, titled unsurprisingly Stan Lee, is a solid if somewhat stylistically flat look at the life of a man who has had a huge cultural impact. People who pay attention to this sort of thing won’t find a lot new here, and may even find the book’s gloss over things a bit frustrating, but for casual fans of Marvel movies who have a first-time interest in where this behemoth began, the book suffices.


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The Spear Cuts through Water: One of the best of 2022

The Spear Cuts through Water by Simon Jimenez

Simon Jiminez’s The Spear Cuts through Water (2022) is one of the most vibrantly original novels I’ve read in some time, an enthralling work of creativity that even as it makes use of some familiar tropes arrives absolutely as its own unique self: richly mythic and startlingly inventive. It will absolutely land on my Best of 2022 list, even it may not be for everyone (though everyone should attempt it).

At its core, The Spear Cuts through Water is a simple quest story told unsimply.


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Fantastic Four: Full Circle: A psychedelic journey into the Negative Zone

Fantastic Four: Full Circle by Alex Ross (writing, art, and coloring), Josh Johnson (coloring), and Ariana Maher (lettering)

I just finished reading the recently released Fantastic Four: Full Circle, and though the story itself is not riveting, it is a perfect vehicle for the true point of the graphic novel — the art. And the story is an interesting sequel to the previous Stan Lee-Jack Kirby production, “This Man . . . This Monster,” Issue #51 of the original run on the Fantastic Four (which is available via Amazon’s Comixology services).


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The Witch and the Tsar: Solid, but a bit flat

The Witch and the Tsar by Olesya Salnikova Gilmore

“Solid” is the best description I can give for The Witch and the Tsar by Olesya Salnikova Gilmore, a debut novel that shows flashes of hitting its potential, particularly in its folkloric elements, but overall feels a bit flat and overlong.

A retelling of the Baba Yaga mythos, the story mostly takes place during the reign of Ivan the Terrible (1500s), though there are flashbacks to earlier times, thanks to the fact that the main character (who prefers Yaga to Baba Yaga) is immortal,


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Ghostlight: An entertaining and engaging MG ghost story

Ghostlight by Kenneth Oppel

Kenneth Oppel’s Ghostlight is a quick-moving MG story involving a trio of teens battling a long-dead villain seeking to raise an army of ghosts in modern-day Toronto. Full of action, the narrative also includes a number of brief but effective emotional moments and also highlights the poor treatment of Native groups.

Gabe Vasilakis has a summer job giving the Ghost Tour of the Toronto’s Gibraltar Point Lighthouse, which in 1839 saw the unexplained deaths of its keeper and his 16-year-old daughter, Rebecca Strand.


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The Greatest Invention: A History of the World in Nine Mysterious Scripts

The Greatest Invention: A History of the World in Nine Mysterious Scripts by Sylvia Ferrara, translated by Todd Portnowitz

Sylvia Ferrara is an Italian scholar/researcher/professor who has devoted much of her life, both in solo work and (more importantly and effectively to her) in collaboration, to learning how writing developed/develops and to deciphering a number of scripts that have stubbornly resisted translation. In The Greatest Invention she offers the fruits of that research in often fascinating, sometimes dizzying, sometimes frustrating, always exuberant fashion.

The dizzying part comes partly from the way Ferrara flies all over the place in space and time,


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The Extractionist: Enjoyable, left me wanting more

The Extractionist by Kimberly Unger

With The Extractionist, Kimberly Unger presents a pretty typical futuristic-internet-cybersetting-with-a-name background (in this case the cyberverse is called “the Swim”), but enhances the familiar setting with an original spin — a class of workers called Extractionists whose job it is to rescue people who get “stuck” in the Swim by reconnecting their Swim persona and their real-world body.

I loved the idea, and mostly loved its embodiment in Eliza McKay, the book’s protagonist, but felt the story could have been executed better.


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