Next SFF Author: Ben Aaronovitch

Order [book in series=yearoffirstbook.book# (eg 2014.01), stand-alone or one-author collection=3333.pubyear, multi-author anthology=5555.pubyear, SFM/MM=5000, interview=1111]: 2003.02


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Trickster’s Queen: Proves that Pierce is the master of YA fantasy

Trickster’s Queen by Tamora Pierce

Trickster’s Queen is the sequel to Tamora Pierce’s Trickster’s Choice and (so far) the first set of books that are not quartets, but a simple duet. It is also by far her longest book, and in her acknowledgements she credits that to J.K. Rowling due to the fact that the Harry Potter books are so thick. Both books take place in Pierce’s Tortall universe, though are situated on the Copper Isles rather than Tortall as in the Alanna,


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Inkspell: Funke’s best work to date

Inkspell by Cornelia Funke

I have to admit that I’ve found Cornelia Funke’s works for the most part to be wonderful concepts whose execution never quite matched their potential. Dragonrider I thought was her most successful work so far, mostly because it didn’t reach quite so high. With Inkspell, however, Funke has finally meshed concept and execution together perfectly, creating her best piece of work so far.

Inkspell picks up about a year after the events of Inkheart,


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Gregor and the Prophecy of Bane: Strong followup

Gregor and the Prophecy of Bane by Suzanne Collins

The Prophecy of Bane continues the strengths displayed in Suzanne Collins‘ first book in the series, Gregor the Overlander. The book moves along quickly and smoothly with few if any slow spots; the major characters, if not minutely detailed, have enough personality and reality to hold one’s interest and concern; and the setting, which as in the first is probably the weakest element in terms of vividness, is at least interesting enough in general terms so that its lack of detail is not much of a flaw.


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Soul Stealer: Weaker than first book

Soul Stealer by Martin Booth

I have tracked down Soul Stealer, but I must confess that my search for the third book in this series will be even more lethargic than the search for this one. Despite a strong beginning, and excellent use of real history and alchemical knowledge in the shaping of his story, Martin Booth continually fumbles in his melding of ancient and contemporary times.

First, the good components: Booth creates a beautiful setting for his characters; an English countryside full of “autumn leaves,


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Next SFF Author: Ben Aaronovitch

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