Next SFF Author: Ben Aaronovitch

Author: Jesse Hudson


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Foreigner: A familiar culture with outstanding characters

Foreigner by C.J. Cherryh

“Sometimes the clothes do not make the man…” sang George Michael. Fortunately the cover of C.J. Cherryh’s literary sci-fi offering Foreigner can boast the same. The story contained within is (pun intended) light years from the throwback sci-fi cover. And the back cover is only slightly better than the front. The Publisher’s Weekly quote reads: “Cherryh’s gift for conjuring believable alien cultures is in full force here, and her characters… are brought to life with a sure, convincing hand.” Copy which is often overstated,


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The Cadwal Chronicles: The first two books are some of Vance’s best

THE CADWAL CHRONICLES by Jack Vance

The 1980s found Jack Vance moving into his sixth decade of life. Imagination still sharp, he produced such works as the LYONESSE trilogy, the second half of the DYING EARTH saga, as well as began THE CADWAL CHRONICLES with Araminta Station published in 1989. The novel is on par with the best of Vance’s oeuvre. The second novel in the series, Ecce and Old Earth, sees only a slight decline in quality, the story furthered in fine fashion.


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The Rise of Endymion: Great science fiction for the 21st century

The Rise of Endymion by Dan Simmons

After busting through the door with a whole new Hyperion story in Endymion, Simmons returns with The Rise of Endymion to close it. Answering all of the questions and satisfying all the plot build up of the first half, Rise concludes the story in grand fashion, living up to expectations. It does, however, leave a little wanting thematically.

The Rise of Endymion opens where Endymion left off.


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Endymion: More fabulous storytelling in the Hyperion universe

Endymion by Dan Simmons

The original HYPERION duology was a great success for Dan Simmons. It won him numerous awards and accolades, not to mention rave reviews and huge sales figures. The setting so fertile, Simmons indulged further, producing additional books typically called the ENDYMION duology. No less imaginative and visual, the pair, Endymion and The Rise of Endymion, nevertheless take Simmons’ universe in a new direction: where Hyperion focused on mythological quests for power from a base of Keats’


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The Fall of Hyperion: A grand finale

The Fall of Hyperion by Dan Simmons

Having carefully woven each strand in Hyperion, in The Fall of Hyperion Dan Simmons braids them together into a singular narrative that fantastically concludes the tale. With whip-crackling energy throughout, the fate of the Hegemony, Ousters, and the Shrike are revealed. All of the questions Simmons created — what will happen to Sol’s daughter? Will Kassad get his revenge on the Shrike? Will the Consul be able to open the time tombs? And ultimately, what is the Shrike?


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Hyperion: A real treat for the imagination

Hyperion by Dan Simmons

There is space opera, and then there is Space Opera. Dan Simmon’s 1989 Hyperion is S.P.A.C.E. O.P.E.R.A. From grand schemes to the most minute of details, vivid character portrayal to imaginative and original future technology, gorgeous scenery to a multi-dimensional, motivated plot, everything works. Weaving his tale, Simmons proves a master storyteller, each of the seven tableaus presented begging to be devoured. As a result, it is virtually impossible to read Hyperion and not want to follow up with the sequel,


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Veniss Underground: Jeff VanderMeer’s debut novel

Veniss Underground by Jeff VanderMeer

Avoiding the trappings of fragile motifs, Jeff VanderMeer’s debut novella — err, novel — Veniss Underground shows every sign of a writer who is confident in his ability to put a fresh perspective on well-worn tropes. The framework of Veniss Underground is based on the myth of Orpheus and Eurydice, but the setting and imagery remain wholly original. Scenery twisted like cyberpunk on acid, its details macabre to the bone — a surreal dream — VanderMeer seems poised to make a place for himself in fantasy of the 21st century.


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The Affirmation: Literary science fiction does not get much better

The Affirmation by Christopher Priest

I’ve heard Christopher Priest’s 1981 novel The Affirmation described as regressive, an ouroboros eating its own tail, a Moeibus strip. While there is undoubtedly an M.C. Escher quality to the book — a blurring of reality — the beginning and end are simply too different to form a contiguous whole reverting back on itself. They’re opposite ends of a spectrum in fact, and the appeal of the novel is immersing one’s self in the subjective reality Priest slowly unwraps and getting lost in the world of memories as a result.


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Excession: Does anyone do far future better than Banks?

Excession by Iain M. Banks

Let’s skip the highty-flighty, atmospheric float of intros and get right to the point. Iain M. Banks’ 1996 Excession is gosh-wow, sense-wunda science fiction that pushes the limits of the genre as far into the imagination — and future — as any book has. The AI ship-minds, post-human world-is-your-oyster humanity, and incredible roster of engine speeds, galaxies, drones, weaponry, biological possibilities, planets, orbitals, etc., etc. of previous books have been topped. Banks took a look at the savory milieu of the Culture, cocked his head and asked: “How can I up the ante?” The titular ‘excession’ is the answer.


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Valentine Pontifex: A worthy conclusion to Valentine’s tale

Valentine Pontifex by Robert Silverberg

In Lord Valentine’s Castle, Robert Silverberg created an exotic planet filled with peoples and landscapes, all bursting with imagination. Silverberg also gave his audience a strong, lovingly crafted main character in Lord Valentine, a man recovering after his throne was wrongfully swept out from beneath his feet. The conclusion of the tale, Valentine Pontifex, is the other side of the coin, however. How does Valentine deal with the weighty exigencies of leadership, all the while getting older?


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Next SFF Author: Ben Aaronovitch

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