Next SFF Author: Ben Aaronovitch

Author: Jana Nyman


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Amatka: Defies conventions, with mixed results



Amatka by Karin Tidbeck

Karin Tidbeck’s Amatka (2017) almost reads as a callback to the experimental and dystopian science fiction of the 1970s: a slim novel, packed with examination of the self as an individual unit within a larger social machine and the cost-benefit analysis thereof, with strange imagery and twisting narrative threads, and no easy answers to be found.

Once, generations back, a group of people mysteriously found themselves in a new place, and were unable to make their way back home.


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Railhead: Imaginative and entertaining from beginning to end

Railhead by Philip Reeve

If the idea of a heist aboard a sentient train traveling at faster-than-light speeds appeals to you; if said heist involves assumed identities, the theft of a very old and valuable artifact, and a criminal thumbing his nose at a family-run corporation/empire; if you like believable romance and honest-to-goodness fun, then Philip Reeve’s latest YA novel, Railhead, is for you. (If none of that appeals to you, read on anyway: I may be able to change your mind.)

In a galaxy filled with novelties like sentient trains who travel at faster-than-light speeds on specially crafted rails through K-gates stationed on nearly a thousand worlds and moons,


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Killing is My Business: An improvement on the first book

Killing is My Business by Adam Christopher

I thought that the flaws in Adam Christopher’s first Chandler-esque robot PI novel, Made to Kill, outweighed the positives, and thus gave it a rating of only 2 ½ stars. The tougher-than-steel detective/hitman Raymond Electromatic is back in the sequel, Killing Is My Business (2017), and while it improves upon its predecessor in many ways, it never really breaks out of the gate, leading to an improved but middling 3-star rating this time around.


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The Reluctant Queen: Retraces some steps while starting new paths

The Reluctant Queen by Sarah Beth Durst

The Reluctant Queen (2017), the second in Sarah Beth Durst’s QUEENS OF RENTHIA trilogy, follows quite closely on the heels of The Queen of Blood and reveals the consequences of Daleina’s unexpected rise to power as the Queen of Aratay. This series is meant to be read in sequence, so there will be some mild inevitable spoilers for The Queen of Blood.

Just six months after her bloody coronation,


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The Witch Who Came in from the Cold: Spy vs. Spy in the city of a hundred spires

The Witch Who Came in from the Cold by Lindsay Smith, Max Gladstone, Cassandra Rose Clarke, Ian Tregillis & Michael Swanwick

The Witch Who Came in from the Cold (2017) is a study in contradictions. It’s a collaborative novel that feels seamless despite the five contributing authors: Lindsay Smith, Max Gladstone, Cassandra Rose Clarke, Ian Tregillis, and Michael Swanwick. It was originally published in serialized form by Serial Box — Season One comprising the contents of The Witch Who Came in from the Cold,


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Graveyard Shift: Unusual protagonist brings new life to urban fantasy/horror tropes

Graveyard Shift by Michael F. Haspil

With Graveyard Shift (2017), Michael F. Haspil’s debut novel, readers who enjoy a fair amount of horror and blood mixed into their urban fantasy are in for a rare treat: the primary protagonist is a reanimated mummy, though he’s certainly no bandage-wrapped, shambling thing. Rather, he’s a sophisticated and smooth-talking detective in the sun-drenched Miami-Dade metro area, and he takes protecting his city very seriously.

As Menkaure, he once strode along the banks of the mighty Nile, bending the backs of others to his will as easily as one bends a reed,


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Æther & Empire Vol. 1: Eternal Glory

Æther & Empire Vol. 1: Eternal Glory by Mike Horan, Bong Ty Dazo, & Tim Yates

If Victorian-era steampunk is your thing, you may want to check out Æther & Empire Vol. 1: Eternal Glory, which piles clockwork hearts, steam-driven automobiles, and an interplanetary voyage on top of a daring adventure tale. Written by Mike Horan, with pencils/inks by Bong Ty Horan and Tim Yates on colors, this trade paperback collects issues 1 – 6 of the Æther & Empire comic.

Issue #1 begins with a thrilling battle between Her Majesty’s Airship Nimbus — a craft that looks like a two-master with some horizontal sails and huge overhead balloons providing lift — and a privateer airship “[s]omewhere over the Libyan coast,” in 1879.


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The Gauntlet: A celebration of family and culture

The Gauntlet by Karuna Riazi

Karuna Riazi has already made a name for herself on social media; if you’ve seen or used the widely popular Twitter hashtag #yesallwomen, you have Riazi to thank for it, along with her many other meaningful contributions to conversations about diversity, inclusivity, and representation in media. This year, her debut middle-grade novel The Gauntlet (2017) was published, and it is every bit as positive, well-crafted, and insightful as her non-fiction.

Birthdays ought to be a big deal for any child,


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Heroine Worship: Bridezilla: San Francisco S.O.S.

Heroine Worship by Sarah Kuhn

Just three months have passed between the events of Sarah Kuhn’s Heroine Complex and Heroine Worship (2017), which is just about enough time for Aveda Jupiter (aka Annie Chang), San Francisco’s beloved superheroine, to go out of her mind with boredom. She’s not quite at climbing-the-walls or intentionally-setting-fires levels of stir crazy, but she seems pretty close. (Daily multi-hour breakfasts leading to afternoons filled with absolutely nothing would do that to anyone.) Demon activity has been nonexistent since the big battle at the end of Heroine Complex,


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The accidental novel, and other surprises (giveaway!)

Today Bradley W. Schenck stops by Fantasy Literature to discuss his writing process for Slaves of the Switchboard of Doom, an illustrated retro-futuristic novel that pays homage to the Golden Age of science fiction while embracing twenty-first century sensibilities. We’re giving away a hardcover copy of the book as well as a Retropolis-themed coffee mug to one lucky commenter! (Oh, and please read my review of Slaves of the Switchboard of Doom.)

When I look back to 2012 I don’t know when,


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Next SFF Author: Ben Aaronovitch

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