Karin Tidbeck’s Amatka (2017) almost reads as a callback to the experimental and dystopian science fiction of the 1970s: a slim novel, packed with examination of the self as an individual unit within a larger social machine and the cost-benefit analysis thereof, with strange imagery and twisting narrative threads, and no easy answers to be found.
Once, generations back, a group of people mysteriously found themselves in a new place, and were unable to make their way back home.
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