Next SFF Author: Ben Aaronovitch

Author: Bill Capossere


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The Stepsister Scheme: Nicely sidesteps all the pitfalls

The Stepsister Scheme by Jim C. Hines

I’m always a bit wary of books that take fairy tales as source materials. Too often, I’ve found, they fall into a few typical traps. One is they become enslaved by the structure of one cute explanation/cute twist per each plot point of the original fairy tale, so that the twists themselves become predictable: beat one, two, twist, beat one, two, twist. Another is they become so enamored in the humor aspect of their humorous retelling that they lose sight of the telling aspect — so the plot is unoriginal and dull.


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A Shadow in Summer: A book worth re-reading

A Shadow in Summer by Daniel Abraham

The Cities of the Khaiem shine like jewels in the East, and the brightest is the port of Saraykeht. The realm’s profitable cotton trade flows through the city, quickened by the artistry of the poet Heshai. For in the East, a poet’s art can become incarnate as a powerful spirit-slave (andat), and it is on the shoulders of Heshai, master of the andat Seedless, that the weight of Saraykeht’s continuing prosperity balances… a weight outsiders would gladly topple.

In these delicate times, first-time novelist Daniel Abraham chronicles the poignant choices of a handful of characters seldom seen in the “fantasy”


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Lord of the Silent Kingdom: Hugely complex

Lord of the Silent Kingdom by Glen Cook

In my review of Glen Cook’s first book in the Instrumentalities of the Night series, I bemoaned the lack of a map. Somehow, my opinion managed to go unheard and/or unheeded and so I’ll start again by asking if it would be too much to include a map in a book that jumps among a slew of kingdoms, countries, islands, and petty territories.

As a long-time fan of “epic” fantasy, I consider myself pretty well-versed in how to handle sweeping geography,


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Pawn of Prophecy: Juvenile

Pawn of Prophecy by David Eddings

I read Pawn of Prophecy as an adult, a few years ago. I had heard great things about it, so I was disappointed after reading it. The plot is typical “orphan boy saves the world” fantasy, the description is weak, the dialogue is often silly (humor is a focus, and much of the dialogue is funny — but it’s not realistic). The pace is rapid, however, and I flew through the book in one day.

The Belgariad would be just right for a teenager (so I give it 3 stars),


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The Shadow Roads: Decent but anticlimactic close to trilogy

The Shadow Roads by Sean Russell

The Shadow Roads brings The Swans’ War to a somewhat satisfying close, but its many weaknesses lessen the impact it might have had. The strength is the backstory — the sense of myth surrounding the three children of Wyrr, Death walled away into his own world, stories of loss and transformation. When Sean Russell spends time in this area, whether in detail or just tangentially, it lends a sad sense of grandeur and depth to the work as a whole.


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Midnight Over Sanctaphrax: Better than first, not as good as second

Midnight Over Sanctaphrax by Paul Stewart

Midnight Over Sanctaphrax falls into the middle of the first three books of the series. While Twig’s character is enlarged upon and other interesting ones added, the book falls too easily into the same episodic nature of the first book, where one peril follows closely upon another with none of them ever explored in enough depth so that they truly feel dangerous or suspenseful.

The nature of the basic plot, Twig searching for his lost crew after his skyship explodes and hurls them in different directions,


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Beyond the Deep Woods: Weak start to series

Beyond the Deep Woods by Paul Stewart

Beyond the Deepwoods is the start to the long-running Edge Chronicles. This first book does what one would expect, introduces the world, the major characters, and the major conflicts, but it does so in such shallow fashion that one might be hard-pressed to consider reading on. I don’t know how the rest of the series goes, but I can say that the second novel, Stormchaser, improves in many ways upon the first.

Beyond the Deepwoods,


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The Belgariad: Sometimes fun is enough

THE BELGARIAD by David Eddings

Back before David Eddings became a shampoo-rinse-repeat sort of author, churning out the same old storylines and character types, there was the original Belgariad series, which remains by far his best work.

The premise is an old stand-by — farmboy discovers he’s not who he thought he was and, along with a band of helpers, goes on a quest to stop the world’s destruction/domination by the evil one. But Eddings manages to breathe a lot of life into the archetypical plot. His characters are gradually revealed throughout the series to have hidden layers of complexity,


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The Family Trade: Meet superwoman

The Family Trade by Charles Stross

In The Family Trade, Charles Stross brings together an interesting blend of several different fantasy subgenres. Most of the characters are enjoyable and make sense in their roles, but the main character, Miriam, seems to have left her blue and red superwoman suit in her luggage. She acquires an unending stream of skills and abilities when she gets in a tight spot. Sometimes, in order to be realistic, an author needs to let the hero flounder and fail a bit.

But I look forward to the next Merchant Princes book because The Family Trade has set a stage where multiple factions appear to be competing to eradicate Miriam,


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Bill Chats with Alma Alexander

Recently I had a chance to chat with Alma Alexander, author of the young adult epic WORLDWEAVERS. Please find synopses, cover art, and my reviews of Alma Alexander’s WORLDWEAVERS novels here. Alma Alexander’s website is here.

How much of a “plotter” are you before you start — do you have detailed outlines of where you are going, a general sense of conclusion? Have you ever found any of your characters “getting away from you,” in the sense that they end up involved in ways you hadn’t anticipated?


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Next SFF Author: Ben Aaronovitch

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