Next SFF Author: Ben Aaronovitch

Day: October 31, 2019


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Thoughtful Thursday: Favorite fictional haunted places

Today is the USA’s creepiest holiday, Halloween.

Oh, sure, there are cute costumes, pumpkin-spice everything, candy, harvest carnivals and bobbing for apples, but there also ghosties, ghoulies and scary noises. And, haunted places.

Houses, or interiors generally, can be haunted by entities, or they can absorb death, despair and evil themselves, radiating those back at hapless humans who enter the space.

One of my favorite haunted buildings in fiction is Hill House, in Shirley Jackson’s The Haunting of Hill House. This mansion has both an evil ghost and evil oozing from its wainscoting and walls.


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SHORTS: Larson, Carroll, St. George, Yang

SHORTS: The annual Halloween edition. Our horror-themed column this week, reviewing some recent online short fiction works, features demon babies, slasher film heroines, ghosts and more.

“Growing and Growing” by Rich Larson (2019, free at Nightmare Magazine)

Ignacio and Hector are on their way home after a night of drinking when they find a baby crying in the middle of the road. Ignacio decides to bring it home for the night so he can take it to the hospital in the morning. But on the way home,


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Ghostland: An American History in Haunted Places

Ghostland: An American History in Haunted Places by Colin Dickey

If ghosts exist, we don’t know why, but ghost stories exist because the living make them up; and the living make them up because we need them. Colin Dickey’s book Ghostland: An American History in Haunted Places (2016) explores the US’s social conflicts and hidden histories as they play out in places that are publicly advertised as “haunted.” In the first chapter, Dickey says, “If you want to understand a place, ignore the boastful monuments and landmarks,


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The Monster and the Girl: A flabbergasting mix of film genres

Happy Halloween!

The Monster and the Girl directed by Stuart Heisler

I suppose that I owe director John Landis a huge debt of thanks, as he was the one who first introduced me to the movie in question, The Monster and the Girl … a film that I may very well have never heard of, without his knowledgeable guidance. As the TCM guest programmer one evening recently, Landis — himself the director of one of the truly great modern-day horror films, An American Werewolf in London — told host Ben Mankiewicz that he had selected the 1941 film because he found it to be totally unique,


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Next SFF Author: Ben Aaronovitch

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