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Next SFF Author: Ben Aaronovitch

Day: October 12, 2017

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Thoughtful Thursday: Thoughts about Blade Runner and similar films

As I mentioned in my review of Blade Runner 2049, I thought the film was engrossing, atmospheric, and evocative, combining a deeply thoughtful and philosophical story with visual flare.

Whether you’ve had a chance to see it or not, here are some questions I’d like to discuss:

1) What are some other films (or books) that do a good job of questioning and/or blurring the concept of identity between humans and the Artificial Intelligence that we create?

2) Can you think of a film series that should have ended rather than adding one or more sequels?


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October 12th, 2017. | | | Giveaway!, Thoughtful Thursday | 7 comments |

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Blade Runner 2049: Visually stunning

Blade Runner 2049 directed by Denis Villeneuve

Despite a very few missteps, Blade Runner 2049 is a true visual wonder and a rich, multi-layered narrative that feels languorous and evocative rather than slow, despite its nearly three-hour length.

The story picks up thirty years after the original (we get a bit of textual exposition to fill in the gap at the very start), with Ryan Gosling as K, a replicant serving the LAPD force who, in the opening scene, is charged with bringing in an allegedly dangerous replicant. Though he succeeds (painfully),


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October 12th, 2017. | | | SFF Reviews | 8 comments |

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White Cat: A YA series with an interesting magic system

White Cat by Holly Black

White Cat (2010), the first book in Holly Black‘s The Curse Workers series, focuses on Cassel, a teenage boy born into a family of workers. Working magic is illegal, which means anyone born with the gift — his entire family — either works for the mob or as a con artist. Except Cassel, that is, because Cassel doesn’t have a gift. What he does have is strange dreams that make him sleepwalk, and end up in the strangest places,


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October 12th, 2017. , and ´s rating: , | | | SFF Reviews | 2 comments |

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Crimson, the Color of Blood: Brain trust

Crimson, the Color of Blood directed by Juan Fortuny

Fans of actor/screenwriter/director Paul Naschy who rent out the 1973 film Crimson, the Color of Blood hoping to get a good solid dose of “the Boris Karloff of Spain” may be a tad disappointed at how things turn out. By necessity, Naschy’s role in this picture is severely limited, he doesn’t make much of an appearance until the film is 2/3 done, and even in the final 1/3, his thesping abilities are only minimally utilized.

In this French/Spanish coproduction, Naschy plays a jewel thief named Surnett,


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October 12th, 2017. | , | SFF Reviews | no comments |

Next SFF Author: Ben Aaronovitch

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