Next SFF Author: Ben Aaronovitch

Day: October 11, 2016


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Ken Liu talks about SciFi’s world traditions

Having recently finished Death’s End (see my review here), the epic finale of the THREE-BODY TRILOGY by  Cixin Liu, which rose to prominence when the the first book The Three-Body Problem won the Hugo Award for Best SF Novel of 2015 (translated by Ken Liu), I was intrigued by the process of translating foreign SF works into English, and was excited that Ken Liu, also the acclaimed author of The Grace of Kings (first book of the DANDELION DYNASTY series),


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A Field Guide to Fantastical Beasts: A well-written and illustrated introduction

A Field Guide to Fantastical Beasts by Olento Salaperäinen

A Field Guide to Fantastical Beasts, by Olento Salaperäinen, is a nice if basic introduction to 50 mythological/supernatural creatures, one suitable more for younger readers than older ones (say, high school or up) due to its relatively brief entries and often familiar subject matter.

The guide is encyclopedic in form, dividing the creatures into six basic groups: Fairies and Little People, Demons and the Undead, Water Creatures, Hybrid Beasts, Humanoid Creatures, and The Sacred and the Divine. The groups themselves are organized alphabetically,


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Revelation Space: Dark, dense, slow-burning space opera

Revelation Space by Alastair Reynolds

I’ve been planning to read this series for many years, because Alastair Reynolds, Peter F. Hamilton, Stephen Baxter, Ken MacLeod, Charles Stross and Iain M. Banks are regularly mentioned at the forefront of the British Hard SF movement. Sure, there are many non-British well-known hard SF and space opera practitioners like Kim Stanley Robinson, Greg Bear, Gregory Benford, Vernor Vinge,


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Vampyros Lesbos: The Sunbathing Vampiress

Vampyros Lesbos directed by Jess Franco

When 17-year-old Spanish actress Soledad Miranda appeared in the 1960 Jess Franco musical Queen of the Tarabin in an uncredited role, little could she suspect that a decade later, while suffering discouragement at her stagnating career (she had appeared in some 30 Continental films in those 10 years and was still far from being a household name), she would be selected by Franco again to appear in the first of a string of star-making, outer pictures. In a director/actress collaboration similar to the one that enabled Josef von Sternberg and Marlene Dietrich to create seven wonderful entertainments from 1930 –


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Next SFF Author: Ben Aaronovitch

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