Some Must Watch by Ethel Lina White
There is a word that film buffs like to use to describe a type of motion picture that, because of its tautness and high suspense quotient, almost seems as if it had been directed by the so-called “Master of Suspense” himself, Alfred Hitchcock. The word, naturally enough, is “Hitchcockian,” a term that might be fairly applied to such wonderful entertainments as Gaslight (both the 1940 and ’44 versions), Charade, The Prize and Arabesque. But of all the pictures that have been honored with the adjective “Hitchcockian” over the years,
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