Next SFF Author: Joseph Fink
Previous SFF Author: Gemma Files

Series: Film / TV


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The Witch-Haired Witch of Lunar Kingdom: A strange yet oddly forgettable film…

The White-Haired Witch of Lunar Kingdom directed by Jacob Cheung

I’m always in the mood for a good wuxia-fantasy, and The White-Haired Witch of Lunar Kingdom has everything you’d expect from the genre: a noble hero, a sprawling plot, a number of gravity-defying action scenes, and an enigmatic woman at its heart.

Based on the novel Baifa Monü Zhuan by Liang Yusheng, the story is set in the last days of the Ming Dynasty, a time in which China is threatened by both foreign invaders and internal corruption.


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The Vampire’s Coffin: Does what all good sequels should

The Vampire’s Coffin directed by Fernando Mendez

In the ordinary course of things, a movie sequel begins production only after the original film has proved itself a success at the box office. This, however, was not the case with the sequel to the 1957 Mexican film El Vampiro. Producer Abel Salazar, apparently, felt so confident that his film would be a hit — and it was; tremendously so — that he began work on that picture’s follow-up even before the first one saw the light of day. That sequel,


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The Vampire: South-of-the-border neck noshing

The Vampire directed by Fernando Mendez

The DVD company known as Casa Negra has managed to impress me yet again. Specializing in Mexican horror films of the classic era of 1956 – ’65, this outfit had previously wowed me with great-looking, extras-packed DVDs of such wonderful films as The Brainiac, The Witch’s Mirror, The Man and the Monster, and especially The Black Pit of Dr. M and The Curse of the Crying Woman (I personally deem that last one a horror masterpiece).


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Voodoo Island: For Uncle Boris completists only

Voodoo Island directed by Reginald LeBorg

The 1957 Boris Karloff film Voodoo Island seems to have a widespread reputation as being one of the actor’s all-time worst, so it was with a feeling of resignation and borderline cinematic masochism that I popped this DVD into the player the other night. Voodoo Island was Karloff’s first horror picture in four years, his only release for 1957; he would rebound a bit the following year, with the releases of the fun shlockfest Frankenstein 1970 and the even better (British) film Grip of the Strangler.


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The Mothman Prophecies: Genuinely freaky

The Mothman Prophecies directed by Mark Pellington

Laura Linney, one of Hollywood’s preeminent mainstream actresses of the early 21st century, made a pair of highly effective horror pictures in 2002 and 2005 that share a number of notable similarities. The Mothman Prophecies, the earlier film, and The Exorcism of Emily Rose, are both products of the Screen Gems/Lakeshore Entertainment production company, and both deal with supernatural events that are purportedly based on real-life incidents. Both films go far in convincing the viewer of the possibility of the bizarre happenings portrayed as being genuine and real (unknowable,


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The Futurological Congress: An endlessly imaginative novel

The Futurological Congress by Stanislaw Lem

Numerous are the stories in science fiction in which populations have been brainwashed to believe an ideal, most often the opposite of what we hold dear. A sub-genre in itself, advertisements have been used (The Space Merchants), narcotics (The Three Stigmata of Palmer Eldritch), propaganda (We), technology (Brave New World), emotions (The Giver),


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The Exorcism of Emily Rose: 3 a.m.

The Exorcism of Emily Rose directed by Scott Derrickson

As I once mentioned in my review of the 2002 film The Mothman Prophecies, there are any number of similarities between that film and 2005’s The Exorcism of Emily Rose. To begin with, both pictures star Laura Linney, one of Hollywood’s preeminent mainstream actresses of the early 21st century, here in a brace of unusual horror outings. Both are products of the Screen Gems/Lakeshore Entertainment production company, and both deal with supernatural events that are purportedly based on real-life incidents.


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Carnival of Souls: One of the eeriest little movies ever made

Carnival of Souls directed by Herk Harvey

George A. Romero was not the first industrial filmmaker to release a landmark B&W horror picture in the 1960s. Romero, after churning out commercials for TV and those industrial films for Pennsylvania-based The Latent Image, came out with the seminal Night of the Living Dead in ’68, but Herk Harvey had beaten him to the punch by a good six years. Harvey, in 1961, was working for Centron Films in Lawrence, Kansas, also cranking out industrial and educational films, before coming out with a film the following year,


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Thriller: One of the scariest TV shows of all time

Thriller

Viewers who tuned into the new Thriller program on NBC, on the night of September 13, 1960, a Tuesday, could have had little idea that the mildly suspenseful program that they saw that evening — one that concerned a male ad exec being stalked by a female admirer — would soon morph into the show that author Stephen King would later call “the best horror series ever put on TV.” The first eight episodes of Thriller came off as hour-long homages to Alfred Hitchcock Presents,


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The Expanse: Can’t wait for Season Two and I want to read the books. That’s a win.

The Expanse Season 1

A couple of weeks ago I watched Syfy’s space-opera adaptation The Expanse all the way through, ten and a half hours. The series left me eager for January 2017, and Season Two; it also inspired me to go buy the first two books. I call that a success.

My comments here are about the television show, not the books. Daniel Abrahamson & Ty Franck, who wrote THE EXPANSE novels under the name James S.A. Corey, have writing credits on all ten episodes,


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Next SFF Author: Joseph Fink
Previous SFF Author: Gemma Files

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