Series: Film / TV

A Blade in the Dark directed by Lamberto Bava

Lamberto Bava’s first film as a director, 1980’s Macabre, was supposedly a bit too tame in the violence department to satisfy all the gorehounds out there, so in his next picture, 1983’s A Blade in the Dark, the son of the legendary “Father of the Giallo,” Mario Bava, created a bloodbath that might well have made papa proud. Filmed on the cheap in only three weeks at the country villa of producer Luciano Martino, the film is yet surprisingly effective and looks just fine.

Blood Sucking Freaks directed by Joel M. Reed

A film that seemingly has no other goal than shocking and offending its audience, Blood Sucking Freaks (the lack of a hyphen is annoying) must be deemed a complete success. From first scene to last, this is a picture that gleefully parades its repugnant, gross-out set pieces and depraved characters for the viewer’s questionable delectation. Initially appearing in 1976 under the title The Incredible Torture Show (a better, more apropos appellation, I feel; Blood Sucking Freaks suggests that a vampire type of story will be unreeling,

Beyond the Door directed by Ovidio Assonitis

“I am waiting for you inside the guts of this whore!”

A somewhat effective mash-up of Rosemary’s Baby and The Exorcist, Ovidio Assonitis’ Beyond the Door (1974) yet has little of the class and sophistication of the first or terrifying shocks of the latter. Released a year after The Exorcist kicked box-office tuchus (garnering $89 million; the No. 1 highest earner of 1973, if the book Box Office Hits is to be trusted),

Of Unknown Origin directed by George P. Cosmatos

Speaking as a native New Yorker, I would hazard a guess that the two things my fellow residents here fear the most, when it comes to their apartment or dwelling place, are (a) bedbugs and (b) rodents. Those bloodsucking little insects were on the wane for many decades, but have unfortunately made a comeback in recent years, and while not disease carriers, are notoriously difficult and expensive to eliminate. As for the latter, well, the sight of a scurrying mouse in the house is surely enough to startle even the toughest of Big Apple dwellers.

The Strangler Of Blackmoor Castle directed by Harald Reinl

It was back in mid-June 1967 when I — and millions of other baby-boomer boys, I have a feeling — first developed a crush on beautiful, redheaded Karin Dor. With the opening of the fifth James Bond blowout, You Only Live Twice, Dor, already a long-established actress in her native Germany (although few of us realized it at the time), was revealed to an international audience … one that could scarcely fail to be impressed by her turn as Helga Brandt, S.P.E.C.T.R.E.