Series: Film / TV

The Twilight People directed by Eddie Romero

The 1959 film Terror Is a Man was the very first horror picture to be made in the country of the Philippines. A very well done but uncredited reiteration of H. G. Wells‘ classic 1896 novel The Island of Dr. Moreau, the film was gorgeously shot in B&W, featured stylish direction by Geraldo de Leon and (again, an uncredited) Eddie Romero, as well as an intelligent script that was punctuated by interesting speculations on the nature of man and beast.

La Nuit de la Morte (Night of Death) directed by Raphael Delpard

OK, I’m gonna go out on a limb here, and make the assumption that any person who might be interested in reading a review of the 1980 French film La Nuit de la Morte! (Night of Death!) is already aware that it is very much a horror picture (as if that morbid title, capped with its exclamation mark, could possibly leave any doubt). And that’s important, because any discussion of this seldom-mentioned rarity is almost impossible without divulging at least one key plot twist,

The Night Digger directed by Alastair Reid

Not precisely a horror movie, a murder mystery, a slasher film, OR a domestic tragedy, The Night Digger, a British film that was initially released in May 1971, yet combines elements of all those genres into one truly sui generis experience. A largely forgotten film, The Night Digger (or, as it was originally released in the U.K., The Road Builder … an inferior title, as it turns out) is perhaps best known today — for those who know of it at all,

Blood Thirst directed by Newt Arnold

For those connoisseurs of foreign horror films who are desirous of seeing the 1965 Filipino obscurity entitled Blood Thirst, their only recourse, it would seem, is the DVD currently available from those maniacs at Something Weird. The picture in question shares the disc with another relatively unknown film, the similarly titled Bloodsuckers, and it was to see this British product of 1970 that I initially rented out this DVD. But Bloodsuckers turns out to be a terrible mess of a film,

The Mighty Peking Man directed by Meng Hua Ho

Well, I suppose I didn’t do adequate homework before venturing into Meng Hua Ho’s 1977 camp classic The Mighty Peking Man. For some reason, I had thought the titular protagonist was a man-sized survivor of the Paleolithic Age; a caveman type; a troglodyte displaced in time. But as most psychotronic-film fans have long since discovered, this is hardly the case at all, and the film in question turns out to be nothing more than a cheesy Hong Kong rip-off of 1933’s King Kong …

Burial Ground: The Nights of Terror directed by Andrea Bianchi

The impact that George A. Romero’s seminal Night of the Living Dead (1968) had on the future of the so-called “zombie film” was so enormous as to practically constitute a sea change. Up until then, in pictures such as White Zombie (1932), Revolt of the Zombies (1936), King of the Zombies (1941), I Walked With a Zombie (1943) and even as late as 1966’s The Plague of the Zombies,

Queen of Blood directed by Curtis Harrington

In November 1966, television audiences were introduced, via the two-part Star Trek episode entitled “The Menagerie,” to a green-skinned, hypnotically beautiful alien woman, an Orion dancing girl played in an unforgettable manner by the great Susan Oliver; a character who made an indelible impression despite not having a single line of dialogue. (Indeed, the excellent, 2014 DVD biography of Oliver’s life would be called The Green Girl, a tribute to one of her more fondly remembered roles.) But this was not the first such olive-toned alien siren to appear on screens that year!

Beast of the Yellow Night directed by Eddie Romero

During the 10-year period 1968-’77, Filipino director Eddie Romero collaborated with American actor John Ashley on no less than 10 motion pictures. First up was the little-seen Manila, Open City, to be quickly followed by the so-called Blood Island trilogy (Brides of Blood, The Mad Doctor of Blood Island and Beast of Blood), and then the film in question here, Beast of the Yellow Night (AND,

The Frozen Dead directed by Herbert J. Leder

The film career of Mississippi-born Dana Andrews seemed to undergo some kind of metamorphosis as the actor entered his third decade before the cameras. During the 1940s, the characters that Andrews brought to life were in the main sympathetic and likeable, whether they were such all-American Joes as in The Ox-Bow Incident, State Fair and The Best Years of Our Lives, or troubled cops as in Laura and Where the Sidewalk Ends.