The Language of Spells by Garret Weyr
The Language of Spells (2018), by Garret Weyr, has a certain whimsical charm to it at times, and the warm relationship at its core is a definite plus, but it has a good number of issues that mar the reading experience, though probably less so for a younger audience.
The dragon Grisha is born in the Black Forest in a world where magic is on the wane. After a few decades of maturation (though still young in dragon terms), he’s enchanted by a sorcerer who turns him into a teapot. He lives his life in that trapped stage for many more decades, through both World Wars. Eventually he ends up in Vienna, kept like the few other remaining dragons, under tight surveillance by the bureaucracy. It is there he meets and bonds with eleven-year-old Maggie. Together the two decided to go on a quest to find and free a large group of dragons rumored to have gone missing.
The relationship between Maggie and Grisha is the best part of The Language of Spells, warmly, gently endearing with more than a whiff of melancholy to it thanks to both having suffered loss in their lives — Maggie’s mother died when she was very young and Grisha, in combination to his lost decades, has his own absences to grieve.
Also a positive is the parallels that run between the storyline here and real-life events of WWII and afterward, with refugees, forced detention, and the like. Weyr offers up some serious questions about how good people turn away from evil, what it means to lose one’s openness to wonder, the impact of power on an individual, sacrifice, and more.
Finally, there are some lovely moments of whimsy and magic here, such as the aforementioned transformation of Grisha into a teapot, and a few other such details.
On the down side, there are a lot of problems with the novel. The opening 60 or so pages, pre-Vienna, are a lot of at first exposition and then a lot that didn’t really feel particularly necessary. The opening isn’t helped by a bit of a twee narrative voice that had me considering giving up for the first 10 or 12 pages or so (that style did get dropped). I’d have recommended cutting it in half at least if not simply dropping it altogether. Later other parts seem to go by too quickly or conversely, we spend a little too long on some scenes. Some scenes feel contrived and the quest is relatively passive and repetitive.
The world-building is quite thin; I never really understood how dragons fit into this world. Even in little pragmatic details like how they hang around in a hotel bar — are they on all fours? Using human chairs? And there’s a fair amount of hand-waving things away.
And lastly, I wish those parallels between real world events would have been made a bit more pointed. As it is, it’s hard to imagine most young readers picking up on them, though I’d certainly hope an adult who reads it with their child would use it as a springboard for conversation.
In many ways, The Language of Spells has more negatives than positives, which would lead one would think to a clear “do not recommend” review. But honestly, I so enjoyed the camaraderie between the two protagonists so much that I’m going to give it a “recommend with major reservations,” with an additional caveat that my complaints will probably matter much less to younger readers, which makes me feel more comfortable with the recommendation.
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