Legendary (2018) is the second novel in the CARAVAL trilogy. The third novel, Finale, is due out in May of 2019. I entered this series midstream, after sisters Donatella (Tella) and Scarlet have escaped their father’s controlling grip and freed themselves from the hold of their first Caraval competition. Now Tella is about to dive back into the stream for the sake of a debt she incurred in Caraval. This time she has to find the name and true identity of Legend, the grand master of the Caraval show. The only way she can do that is to enter and win. At the same time, she is trying to find clues to the whereabouts of her mother, who mysteriously disappeared when she was a young girl.
The CARAVAL series has been very well received among YA readers; I guess I wanted to see what all the fuss was about. Critics call it sweeping and immersive, and I’ll go with that. The writing is quite rich, and conjures to mind a world that might have been decorated by a cooperative design team from The Cheesecake Factory and Victoria’s Secret. It is gilded, rich and sugar crusted — which may be just the thing for an escapist read, but it wasn’t for me.
As the narrative character and heroine, Tella is fatal, because I found she was little more than a prop in the opulent Caraval world. Outwardly beautiful, she’s inwardly deceptive, shrewd, and vain. She’ll make any bargain to get what she wants, not really caring about the consequences to others. In other words, Tella is supposed to have strong loyalties to both her sister and mother, but the focus details don’t really evoke anything authentic or even humane about her connections. In the end, I couldn’t invest in the heart of her story, not because I didn’t care, but because I couldn’t detect that Tella cared about anyone but herself. Nor could I see the beginning of a character growth arc. She’d been through one Caraval and all of its deceptions and illusions, and was just as ready to jump back into it.
This may seem like a bit of a nitpick, but Stephanie Garber focused so much attention on the gorgeous things in the world, when the descriptions didn’t hold up, the whole façade fell away for me. My mother is a dress designer and she taught me to sew. Anyway, I know a thing or two about dress construction. Authors that use fashion in their novels should pay a little attention to those details. My point? Tella can’t have worn a backless dress with a “generous skirt.” There’d be nothing to sew all that skirt fabric to in the back. Skirt and top are not cut separately. Authors don’t have to be experts, but my goodness, do a little online research.
I won’t be reading on in the CARAVAL series, but I think those who will love Legendary won’t be deterred by my criticism.
Thanks for taking one for the team!