As a child, Rachel Hartman played cello and lip-synched Mozart operas with her sisters. The famous Renaissance song “Mille Regretz” first moved Rachel to write a fantasy novel rooted in music, but her inspiration didn’t end there. She wrote Seraphina while listening to medieval Italian polyphony, Breton bagpipe-rock, prog metal, Latin American baroque, and Irish sean nós. Rachel Hartman lives with her family in Vancouver BC. Learn more at 
Rachel Hartman is the author of Seraphina, which my review called “nuanced,” “layered,” and marked by “complex characterization matched by depth of theme.” Ms. Hartman was kind enough to take out time from working on the sequel to answer a few questions for us. You’ll see right away that complexity and depth I was talking about; enjoy the interview and then pick up Seraphina. We’ll be giving away one copy (with an autographed bookplate) to one commenter.
Bill Capossere: Two major subjects of Seraphina,
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Thanks for the kind words, Marion! Coming as they are from a professional writer, they are much appreciated!
Wonderful review, Sandy.
The "body count" bothered me a bit less because being dead seemed more like an inconvenience than anything else... unlike…
Detailed, thoughtful review, Bill. I'm going to read it for two reasons. First, Karen Russell wrote it, and second, it…
this sounds like a fun one