In 1963, Alfred Hitchcock, following the cinematic marvels Vertigo (1958), North by Northwest (1959) and Psycho (1960), brought to the screen his fourth masterpiece in a row, The Birds. That latter film, I had long believed, was based on a short story from 1952 by London-born author Daphne du Maurier, also called “The Birds,” and indeed, at the very beginning of the 1963 film a title card does tell us “From the story by Daphne du Maurier.” It is only recently,
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