Featuring masked and black-gloved serial killers wielding straight-edged blades, violent and stylized mayhem, byzantine plotting, and, more often than not, gorgeous theme melodies, the Italian film genre known as the giallo was kick-started by the great cinematographer/director Mario Bava in 1963, with his remarkable black-and-white film The Girl Who Knew Too Much. But the genre would really come into its own in the 1970s, when Italy came out with a raft of large-budgeted wonders that really took the world by storm. I have already written here of such marvelous gialli as those starring “The Queen of Giallo,” Edwige Fenech;
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Oh, this sounds interesting!