Pharos the Egyptian by Guy Boothby
Once upon a time, when the British Empire was at its zenith, adventure fiction and fantastical writings began to deal with the idea that London — and tacitly, all Britain — was under threat by some ancient, terrifying force (frequently from a place where Britain had established a colony). There was an immense fascination with the occult versus the modern, the venerable old kingdoms versus the new British Empire, and most of all, the diabolical arcane opponent versus the plucky, civilized Englishman. It’s a trend that gave us such well-known works as Bram Stoker’s Dracula or Henry Rider Haggard‘s She,
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